Cosmic Oneness - Calm Calculus of Reason

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Angkor Wat

 

 Built between roughly A.D. 1113 and 1150, and encompassing an area of about 500 acres (200 hectares), Angkor Wat is one of the largest religious monuments ever constructed. Its name means “temple city.”
Originally built as a Hindu temple dedicated to the god Vishnu, it was converted into a Buddhist temple in the 14th century, and statues of Buddha were added to its already rich artwork.
Its 213-foot-tall (65 meters) central tower is surrounded by four smaller towers and a series of enclosure walls, a layout that recreates the image of Mount Meru, a legendary place in Hindu mythology that is said to lie beyond the Himalayas and be the home of the gods.
The city where the temple was built, Angkor, is located in modern-day Cambodia and was once the capital of the Khmer Empire. This urban center contains hundreds of temples and a population that has been estimated to be as high as 1 million people. It was easily the largest city in the world until the industrial revolution.
The temple is surrounded by a 650-foot-wide (200 meters) moat that encompasses a perimeter of more than 3 miles (5 km). This moat is 13 feet deep (4 meters) and would have helped stabilize the temple’s foundation, preventing groundwater from rising too high or falling too low.
Angkor Wat’s main entrance was to the west (a direction associated with Vishnu) across a stone causeway, with guardian lions marking the way. To the east of the temple was a second, more modest, entrance.
The heart of the temple was the central tower, entered by way of a steep staircase, a statue of Vishnu at top. This tower “was at once the symbolic center of the nation and the actual center where secular and sacred power joined forces,” writes researcher Eleanor Mannikka in the book "Angkor: Celestial Temples of the Khmer Empire" (Abbeville Press, 2002). “From that unparalleled space, Vishnu and the king ruled over the Khmer people.”

Vishnu and the king
The builder of Angkor Wat was a king named Suryavarman II. A usurper, he came to power in his teenage years by killing his great uncle Dharanindravarman I while he was riding an elephant. An inscription says that Suryavarman killed the man “as Garuda [a mythical bird] on a mountain ledge would kill a serpent.”
Suryavarman’s bloodlust would continue into his rule; he launched attacks into Vietnam in an effort to gain control over the territory. He also made peaceful diplomatic advances, re-opening relations which China.

 

He venerated the god Vishnu, a deity often depicted as a protector, and installed a statue of the god in Angkor Wat’s central tower. This devotion can also be seen in one of the most remarkable reliefs at Angkor Wat, located in the southeast of the temple. The relief shows a chapter in the Hindu story of creation known as the “churning of the sea of milk.”
As archaeologist Michael Coe writes, the relief “describes how the devas (gods) and the asuras (demons) churned the ocean under the aegis of Vishnu, to produce the divine elixir of immortality,” ("Angkor and the Khmer Civilization," Thames & Hudson, 2003). Scholars consider this relief to be one of the finest art pieces at Angkor Wat.
Suryavarman’s devotion to Vishnu is also shown in the posthumous name he was given, “Paramavishnuloka” which, according to researcher Hélène Legendre-De Koninck, means “he who is in the supreme abode of Vishnu.” ("Angkor Wat: A Royal Temple," VDG, 2001).

Construction techniques
Building Angkor Wat was an enormous undertaking that involved quarrying, careful artistic work and lots of digging. To create the moat around the temple 1.5 million cubic meters (53 million cubic feet) of sand and silt were moved, a task that would have required thousands of people working at one time.
The buildings at Angkor Wat posed their own challenges. To support them a tough material called laterite was used, which in turn was encased with softer sandstone that was used for carving the reliefs. These sandstone blocks were quarried at the Kulen Hills, about 18 miles (30 km) to the north, and were likely transported to the site by river.
Beneath the central tower was a shaft that leads to a chamber where, in 1934, archaeologists found “two pieces of crystal and two gold leaves far beneath where the Vishnu statue must have been,” Coe writes, adding that deposits like these “spiritually ‘energized’ a temple, much as a battery will provide power to a portable electronic device.”

 

Although Angkor Wat is dedicated to Vishnu the full purpose of the temple is still debated. One question is whether the ashes of Suryavarman II were interred in the monument, perhaps in the same chamber where the deposits were found. If that were the case it would give the temple a funerary meaning.
Eleanor Mannikka has noted that Angkor Wat is located at 13.41 degrees north in latitude and that the north-south axis of the central tower’s chamber is 13.43 cubits long. This, Mannikka believes, is not an accident. “In the central sanctuary, Vishnu is not only placed at the latitude of Angkor Wat, he is also placed along the axis of the earth,” she writes, pointing out that the Khmer knew the earth was round.
In addition, in her writing, Mannikka notes a dozen lunar alignments with Angkor Wat’s towers, suggesting that it served an important astronomical role. “During the long and clear Cambodian nights, when the stars filled every inch of the black sky, the astronomer-priests stood on the long western causeway ...  and recorded the movements of the moon against the towers in the top two galleries of the temple.” 


The massive sandstone bricks used to construct the 12th-century temple of Angkor Wat were brought to the site via a network of hundreds of canals, according to new research.
The findings shed light on how the site's 5 million to 10 million bricks, some weighing up to 3,300 pounds (1,500 kilograms), made it to the temple from quarries at the base of a nearby mountain.
"We found many quarries of sandstone blocks used for the Angkor temples and also the transportation route of the sandstone blocks," wrote study co-author Estuo Uchida of Japan's Waseda University, in an email.
 

The massive sandstone bricks used to construct the 12th-century temple of Angkor Wat were brought to the site via a network of hundreds of canals, according to new research.
The findings shed light on how the site's 5 million to 10 million bricks, some weighing up to 3,300 pounds (1,500 kilograms), made it to the temple from quarries at the base of a nearby mountain.
"We found many quarries of sandstone blocks used for the Angkor temples and also the transportation route of the sandstone blocks," wrote study co-author Estuo Uchida of Japan's Waseda University, in an email.

In the 12th century, King Suryavarman II of the Khmer Empire began work on a 500-acre (200 hectare) temple in the capital city of Angkor, in what is now Cambodia. The complex was built to honor the Hindu god Vishnu, but 14th-century leaders converted the site into a Buddhist temple.
Archaeologist knew that the rock came from quarries at the base of a mountain nearby, but wondered how the sandstone bricks used to build Angkor Wat reached the site. Previously people thought the stones were ferried to Tonle Sap Lake via canal, and then rowed against the current through another river to the temples, Uchida told LiveScience.
To see whether this was the case, Uchida's team surveyed the area and found 50 quarries along an embankment at the base of Mt. Kulen. They also scoured satellite images of the area and found a network of hundreds of canalsand roads linking the quarries to the temple site. The distance between the quarries and the site along the route Uchida's team found was only 22 miles (37 kilometers), compared with the 54 miles (90 km) the river route would have taken.
The grid of canals suggests the ancient builders took a shortcut when constructing the temple, which may explain how the imposing complex was built in just a few decades.

 source: http://www.livescience.com/

The Story Of Bottled Water

Bottled water is healthy water — or so marketers would have us believe. Just look at the labels or the bottled water ads: deep, pristine pools of spring water; majestic alpine peaks; healthy, active people gulping down icy bottled water between biking in the park and a trip to the yoga studio.

In reality, bottled water is just water. That fact isn't stopping people from buying a lot of it. Estimates variously place worldwide bottled water sales at between $50 and $100 billion each year, with the market expanding at the startling annual rate of 7 percent.

Bottled water is big business. But in terms of sustainability, bottled water is a dry well. It's costly, wasteful and distracts from the brass ring of public health: the construction and maintenance of safe municipal water systems.

Want some solid reasons to kick the bottled water habit? We've rounded up five to get you started.

1) Bottled water isn't a good value

Take, for instance, Pepsi's Aquafina or Coca-Cola's Dasani bottled water. Both are sold in 20 ounce sizes and can be purchased from vending machines alongside soft drinks — and at the same price. Assuming you can find a $1 machine, that works out to 5 cents an ounce. These two brands are essentially filtered tap water, bottled close to their distribution point. Most municipal water costs less than 1 cent per gallon.

Now consider another widely sold liquid: gasoline. It has to be pumped out of the ground in the form of crude oil, shipped to a refinery (often halfway across the world), and shipped again to your local filling station.

In the U.S., the average price per gallon is hovering around $3. There are 128 ounces in a gallon, which puts the current price of gasoline at a fraction over 2 cents an ounce.

And that's why there's no shortage of companies that want to get into the business. In terms of price versus production cost, bottled water puts Big Oil to shame.

2) No healthier than tap water

In theory, bottled water in the United States falls under the regulatory authority of the Food and Drug Administration. In practice, about 70 percent of bottled water never crosses state lines for sale, making it exempt from FDA oversight.

On the other hand, water systems in the developed world are well-regulated. In the U.S., for instance, municipal water falls under the purview of the Environmental Protection Agency, and is regularly inspected for bacteria and toxic chemicals. Want to know how your community scores? Check out the Environmental Working Group's National Tap Water Database.

While public safety groups correctly point out that many municipal water systems are aging and there remain hundreds of chemical contaminants for which no standards have been established, there's very little empirical evidence that suggests bottled water is any cleaner or better for you than its tap equivalent.

3) Bottled water means garbage

Bottled water produces up to 1.5 million tons of plastic waste per year. According to Food and Water Watch, that plastic requires up to 47 million gallons of oil per year to produce. And while the plastic used to bottle beverages is of high quality and in demand by recyclers, over 80 percent of plastic bottles are simply thrown away.

That assumes empty bottles actually make it to a garbage can. Plastic waste is now at such a volume that vast eddies of current-bound plastic trash now spin endlessly in the world's major oceans. This represents a great risk to marine life, killing birds and fish which mistake our garbage for food.

Thanks to its slow decay rate, the vast majority of all plastics ever produced still exist — somewhere.

4) Bottled water means less attention to public systems

Many people drink bottled water because they don't like the taste of their local tap water, or because they question its safety.

This is like running around with a slow leak in your tire, topping it off every few days rather than taking it to be patched. Only the very affluent can afford to switch their water consumption to bottled sources. Once distanced from public systems, these consumers have little incentive to support bond issues and other methods of upgrading municipal water treatment.

There's plenty of need. In California, for example, the American Society of Civil Engineers estimated the requirement of $17.5 billion in improvements to the state's drinking water infrastructure as recently as 2005. In the same year, the state lost 222 million gallons of drinkable water to leaky pipes.

5) The corporatization of water

In the documentary film Thirst, authors Alan Snitow and Deborah Kaufman demonstrated the rapid worldwide privatization of municipal water supplies, and the effect these purchases are having on local economies.

Water is being called the "Blue Gold" of the 21st century. Thanks to increasing urbanization and population, shifting climates and industrial pollution, fresh water is becoming humanity's most precious resource.

Multinational corporations are stepping in to purchase groundwater and distribution rights wherever they can, and the bottled water industry is an important component in their drive to commoditize what many feel is a basic human right: the access to safe and affordable water.

What can you do?

There's a simple alternative to bottled water: buy a stainless steel thermos, and use it. Don't like the way your local tap water tastes? Inexpensive carbon filters will turn most tap water sparkling fresh at a fraction of bottled water's cost.

Consider taking Food and Water Watch's No Bottled Water Pledge. Conserve water wherever possible, and stay on top of local water issues. Want to know more? Start with the Sierra Club's fact sheet on bottled water.

Bottoms up!
Source: http://www.mnn.com/

Merkaba Meditation

Like the sun, we must breathe, radiating out to all life. And from all life we will receive our manna.

Begin by creating a place in your home that is used only for this meditation. Make a space where no one will walk through or disturb you, possibly in your bedroom. A small altar with a candle and a cushion or pillow to sit upon may be helpful. Make this place holy. It is here that you will learn to create the MER-KA-BA around your body and make conscious contact with your higher self.

Once each day, enter into this meditation, until the time comes when you are a conscious breather, remembering with each breath your intimate connection with God. To begin the meditation, first sit down and relax. Let the worries of the day go. Breathe rhythmically and shallow. Be aware of your breath and relax. When you feel the tension begin to fade, begin to open your heart. Feel Love. Feel Love for all life everywhere. Continue to breathe rhythmically, being aware of your breath, and feel the Love moving through your spirit. When the FEELING of love is in your beingness, you are ready to begin to move towards the experience to the MER-KA-BA. Without this Love, no amount of knowledge will create the MER-KA-BA. To the degree you are able to Love, will be the degree you will be able to experience the MER-KA-BA.

The following is an overview of the meditation to reach the MER-KA-BA. There are seventeen breaths to reach completion. The first six are for balancing of the polarities within your eight electical circuits, and , also, for the cleansing of these circuits. The next seven, which are quite different, are to re-establish the proper pranic flow through your body, and to recreate Spherical Breathing within your body. The fourteenth breath is unique unto itself. It changes the balance of pranic energy within your body from third dimensional to fourth dimensional awareness. The last three breaths recreate the rotating fields of the MER-KA-BA within and around your body.

The instructions: The following instructions will be broken down into four areas: MIND, BODY, BREATH and HEART. 

FIRST BREATH: Inhale

HEART: Open your heart and feel love for all life. If you cannot do this, you must at least open to this love as much as is possible for you. This is the most important instruction of all.

MIND: Become aware of the male tetrahedron (the apex facing up to the sun, the point facing to the front for male, the point to the back for females) filled with the brilliant white light surrounding your body. Visualize it the best you can. If you cannot visualize it, sense or feel it surrounding you.

BODY: At the same moment of inhalation, place your hands in the mudra of your thumb and first finger touching. Remember, lightly touch your fingers, and do not allow your fingers to touch each other or any other object. Keep your palms facing up.

BREATH: At this same moment, with empty lungs, begin to breath in a complete yogic manner. Breathe through your nostrils only, except at certain places which will be described. Simply put, breath from your stomach first, then your diaphragm, and finally your chest. Do this in one movement, not three parts. The exhale is completed either by holding the chest firm and relaxing the stomach, slowly releasing the air, or by holding the stomach firm and relaxing the chest. The most important aspect is that this breathing must be rhythmic. Begin by using seven seconds in and seven seconds out, but as you get familiar with this meditation, find your own rhythm.

The following instructions for a complete Yogic Breath are from "the Hindu-Yogi Science of Breath" by Yogi Ramacharake. Perhaps this description will be helpful. Breathing through the nostrils, inhale steadily, first filling the lower part of the lungs, which is accomplished by bringing into play the diaphagm, which descending exerts a gentle pressure on the abdominal organs, pushing forward the front walls of the abdomen. Then fill the midddle part of the lungs, pushing out the lower ribs, breastbone and chest. Then fill the higher portion of the lungs, protruding the upper chest, thus lifting the chest, including the upper six or even pairs of ribs. At first reading it may appear that this breath consists of three distinct movements. This, however, is not the correct idea. The inhalation is continuous, the entire chest cavity from the lowered diaphragm to the highest point of the chest in the region of the collar bone, being expanded with a uniform movement. Avoid a jerky series of inhalations, and strive to attain a steady continuous action. Practice will soon overcome the tendency to divide the inhalation into three movements, and will result in a uniform continuous breath. You will be able to complete the inhalation in a few seconds after a little practice. Exhale quite slowly, holding the chest in a firm position, and drawing the abdomen in a little and lifting it upward as the air leaves the lungs. When the air is entirely exhaled, relax the chest and abdomen. A little practice will render this part of the exercise easy, and the movement once acquired will be afterward performed almost automatically. 

FIRST BREATH: Exhale

HEART: Love

MIND: Become aware of the female tetrahedron, (apex pointing to the earth, point facing to the back for males, point facing to the front for females), also filled with the brilliant white light.

BODY: Keep the same mudra.

BREATH: Do NOT hesitate at the top of the inhalation to begin the exhalation. Exhale quite slowly, approximately seven seconds, in the Yogic manner. When the air is out of the lungs, without forcing, relax the chest and abdomen and HOLD the breath. When you feel pressure to breathe again, after about five seconds or so, then do the following:

MIND: Be aware of the flat equilateral triangle at the top of the female tetrahedron located in the horizontal plane that passes through your chest at the sternum. In a flash, and with a pulse like energy, send that triangular plane down through the female tetrahedron. It gets smaller as it goes down and pushes out the tip or apex of the tetrahedron all the negative energy of the mudra or electrical circuit, a light will shoot out of the apex toward the center of the Earth. The Mind exercise is performed along with the following BODY movements.

BODY: Move your eyes slightly toward each other, or, in other words, slightly cross your eyes. Now bring them up to the top of their sockets, or in other words, look up. Also, this looking up motion should not be extreme. You will feel a tingling feeling between your eyes in the area of your third eye . You can now look down to the lowest point you can, as fast as you can. You should feel an electrical sensation move down your spine. The MIND and BODY must coordinate the above mental exercise with the eye movements. The eyes look down from their up position at the same time the mind sees the triangular horizontal plane of the female tetrahedron move down to the apex of the female tetrahedron. This combined exercise will clean out the negative thoughts and feelings that have entered into your electrical system. Specifically, it will clean out the part of your electrical system that is associated with the particular mudra you are using. Immediately upon pulsing the energy down your spine, you change mudras to the next one and begin the entire cycle over again.

The next five breaths are a repeat of the first breath with the following mudra changes:

Second breath mudra: Thumb and second finger together

Third breath mudra: Thumb and third finger together

Fourth breath mudra: Thumb and little finger together

Fifth breath mudra: Thumb and first finger together (same as first breath)

Sixth breath mudra: Thumb and second finger together( same as second breath)

The first part, the first six breaths, the balancing of the polarities, and the cleansing of your electrical system is now complete. 

PART II

You are now ready for the next part, the next seven breaths. Here an entirely new breathing pattern begins. You do not need to visualize the star tetrahedron at this time. Only the tube that runs through the star, from the apex of the male tetrahedron above your head to the apex of the female tetrahedron below your feet, needs to be seen and worked with. This extends one hand length above your head and one hand length below your feet. The diameter of YOUR tube will be the size of the hole formed by YOUR thumb and forefinger touching. 

SEVENTH BREATH: Inhale

HEART: Love. There is another refinement here that can be used after you have perfected this meditation. It will be discussed in class.

MIND: Visualize or sense the tube running through your body. The instant you begin the seventh inhale, see the brilliant white light of the prana moving down the tube from the top and up the tube from the bottom at the same time. This movement is almost instantaneous. The point where these two light beams meet within your body is controlled by the mind and is a vast science known throughout the universe. In this teaching however, we will only be shown what is necessary , that which will take you from third to fourth dimensional awareness. In this case you will direct the two beams of prana to meet at your navel, or more correct, within your body at navel level, inside the tube. The moment the two beams of prana meet, which is just as the inhale begins, a sphere of white light or prana is formed at the meeting point about the size of a grapefruit centered on the tube. It all happens in an instant. As you continue to take the inhale of the seventh breath, the sphere of prana begins to concentrate and grow slowly.

BODY For the next seven breaths use the same mudra for both inhale and exhale, the thumb, first and second touching together palms up.

BREATH: Deep rhythmic Yogic breathing, seven seconds in and seven seconds out. There is no holding of the breath from now on. The flow of prana from the two poles will not stop or change in any way when you go from inhale to exhale. It will be a continuous flow that will not stop for a long as you breath in this manner, even after death. 

SEVENTH BREATH: Exhale

MIND: The prana sphere centered at the navel continues to grow. By the time of the full exhale, the prana sphere will be approximately eight or nine inches in diameter.

BREATH: Do not force the air out of your lungs. When your lungs are empty naturally, immediately begin the next breath. 

EIGHTH BREATH: Inhale 

HEART: Love.

MIND: The prana sphere continues to concentrate life force energy and grow in size. 

EIGHTH BREATH: Exhale

MIND: The prana sphere continues to grow in size and will reach maximum size at the end of this breath. This maximum size is different for each person. If you put your longest finger in the center of your navel, the line on your wrist defining your hand will show you the radius of the maximum size of this sphere for YOU. This sphere of prana cannot grow larger. 

NINTH BREATH: Inhale

MIND: The prana sphere cannot grow larger, so what happens is the prana begins to concentrate within the sphere. The visual appearance is that the sphere grows BRIGHTER.

BREATH: Sphere grows brighter and brighter as you inhale. 

NINTH BREATH: Exhale

BREATH: As you exhale, the sphere continues to grow brighter and brighter. 

TENTH BREATH: Inhale

MIND: About half way through this inhale, as the sphere continues to brighter, the prana sphere reaches critical mass. The sphere ignites into a sun, a brilliant blinding ball of white light. You are now ready for the next step. 

TENTH BREATH: Exhale

MIND: At the moment of exhale, the small sphere two hand lengths in diameter bulges to expand. In one second, combined with the breath talked about below, the sphere expands quickly out to the sphere of Leonardo, out at your finger tips of your extended arms. Your body is now completely enclosed within a huge sphere of brilliant white light.

You have returned to the ancient form of spherical breathing. However, at this point, this sphere is not stable. You MUST breath three more times to keep the sphere stable.

BREATH: At the moment of exhale, make a small hole with your lips and blow out your air with pressure. As you feel the sphere begin to bulge, all within the first second of this exhale, let all of your air out rapidly. The sphere will expand at that moment. 

PART3:

ELEVENTH, TWELFTH and THIRTEENTH BREATH: Inhale and Exhale

MIND: Relax and just feel the flow of the prana flowing from the two poles and meeting at the navel and then expanding out to the large sphere

BREATH: Breath rhythmically and deep. At the end of the thirteenth breath you have stabilized the large sphere and are ready for the important 14th breath. 

THE FOURTEENTH BREATH

HEART: Love

MIND: On the inhale of the 14th breath, at the very beginning of the breath, move the point where the two beams of prana meet from the navel to the sternum, the fourth dimensional chakra. The entire large sphere, along with the original sphere, which is also still contained within the large sphere, moves up to the new meeting point within the tube. Though this is very easy to do, it is an extremely powerful movement. Breathing from this new point within the tube will inevitably change your awareness from third to fourth dimensional consciousness, or from earth consciousness to Christ consciousness. It will take awhile, but as I have said , it is inevitable.

BODY: This mudra will be used for the rest of the meditation. Place the left palm on top of the right palm for males and the right palm on top of the left palm for females. It is a mudra that relaxes.

BREATH: Rhythmic breath and deep. However, if you continue to breathe from your Christ center without moving on to the MER-KA-BA, which is what is recommended until you have made contact with your Higher Self, then shift to a shallow breath. In other words, breath rhythmically but in a comfortable manner where your attention is more on the flow of energy moving up and down the tube meeting at the sternum and expanding out to the large sphere. Just feel the flow. Use your feminine side to just be. At this point don't think, just breath, feel and be. Feel your connection to All Life through the Christ Breath. Remember your intimate connection with God.

The Mer-Ka-Ba, The Vehicle Of Ascension

The Last Three Breaths You are asked not to attempt this FOURTH PART until you have made contact with your Higher Self, AND your Higher Self has given you permission to proceed. This part is to be taken seriously. The energies that will come into and around your body and spirit are of tremendous power. If you are not ready, you could hurt yourself. If your Higher Self gives you permission to enter into the MER-KA-BA, then don't fear, for you will be ready. 

FIFTEENTH BREATH: Inhale:

HEART: Love

MIND: Be aware of the whole star tetrahedron. Realize that there are three whole star tetrahedrons superimposed over each other. One is the body itself, and is locked in place and never, except under certain conditions, moves. It is placed around the body according to maleness or femaleness. The second whole star tetrahedron is male in nature, it is electrical, is literally the human mind and rotates counter-clockwise relative to your body looking out, or to put it another way, it rotates toward your left side. The third whole star tetrahedron is female in nature, is magnetic, is literally the human emotional body and rotates clockwise relative to your body looking out, or to put it another way, it rotates toward your right side. To be clear, we are not telling you to rotate the male tetrahedron one way and the female the other way. When we say rotate the whole star tetrahedron, we mean the whole thing. On the inhale of the fifteenth breath, as you are inhaling, you will say to yourself, in your head, the code words, EQUAL SPEED. This will tell your mind that you want the two rotatable whole star tetrahedrons to begin spinning in opposite directions at equal speeds at the time of the exhale. Meaning that for every complete rotation of the mind tetrahedrons, there will be a complete rotation of the emotional tetrahedrons.

BODY: Continue the mudra of the folded hands from now on.

BREATH: Breath Yogic and rhythmically an deeply again, but only for the next three breaths, after that return to the shallow breathing. 

FIFTEENTH BREATH: Exhale

MIND: The two sets of tetrahedrons take off spinning. In an instant, they will be moving at exactly one third the speed of light at their outer tips. You probably will not be able to see this because of their tremendous speed, but you can feel it. What you have just done is to start the MOTOR of the MER-KA-BA. You will not go anywhere, or have an experience. It is just like starting the motor of a car, but having the transmission in neutral.

BREATH: Make a small hole with your lips just like you did for breath Number Ten. Blow out in the same manner, and as you do, feel the two sets of tetrahedrons take off spinning. 

SIXTEENTH BREATH: Inhale

MIND: This is the most amazing breath. On the inhale, as you are inhaling, say to yourself, in your head, THIRTY-FOUR - TWENTY-ONE. This is the code to your mind to spin the two sets of tetrahedrons at a ratio of 34-21. Meaning the Mind tetrahedrons spinning to the left will go around 34 times while the emotional tetrahedrons spinning to the right will go around 21 times. As the two sets speed up the ratio will remain constant.

BREATH: Breathe rhythmically and Yogic. 

SIXTEENTH BREATH: Exhale

MIND: As you let out the breathe, the two sets of tetrahedrons take off from their one third speed of light setting to two third speed of light in an instant. As they approach two thirds speed of light speed a phenomena takes place. A disk about 55 feet in diameter forms around the body at the level of the base of the spine. And the sphere of energy that is centered around the two sets of tetrahedrons forms with the disk to create a shape that looks like a FLYING SAUCER around the body. This energy matrix is called the MER-KA-BA. However, it is not stable. If you see or sense the MER-KA-BA around you at this point, you will know it to be unstable. It will be slowly wobbling.

Therefore Breath Number Seventeen is necessary.

BREATH: Same as breath 16, make a small hole in your lips, and blow out with pressure. It is at this point that the speeds increases. As you feel the speed increasing, let out all your breath with force. This action will cause the higher speed to be fully obtained and the MER-KA-BA to be formed. 

SEVENTEENTH BREATH: Inhale

HEART: Remember, unconditional love for all life must be felt through out all of this meditation or no results will be realized.

MIND: As you breathe in, say to yourself, in your head, the code NINE TENTHS THE SPEED OF LIGHT. This code will tell your mind to increase the speed of the MER-KA-BA to nine tenths the speed of light which will stabilize the rotating field of energy. It will also do something else. This third dimensional universe that we live in is tuned to 9/10 the speed of light. Every electron in your body is rotating around every atom in your body at 9/10 the speed of light. This is the reason this particular speed is selected.

BREATH: Breathe rhythmically and in a Yogic manner. 

SEVENTEENTH BREATH: Exhale

MIND: The speed increases to 9/10 the speed of light and stabilizes the MER-KA-BA.

BREATH: Same as breath 15 and 16, make a small hole in your lips, and blow out with pressure. As you feel the speed take off, let all your breath out with force. You are now in your stable and Third dimensionally tuned MER-KA-BA. With the help of your Higher Self, you will understand what this really means. 

EIGHTEENTH BREATH: This very special breath will not be taught here. You must receive it from Your Higher Self. It is the breath that will take you through the speed of light into the fourth dimension. You will disappear from this world and reappear in another one that will be your new home for awhile. This is not the end, but the beginning of an ever expanding consciousness returning you HOME to your FATHER. 

Source: http://www.greatdreams.com/

Merkaba meditation - feel love for all life everywhere - See more at: http://www.do-meditation.com/merkaba-meditation.html#sthash.WZ4Imy7F.dpuf

Merkaba meditation - feel love for all life everywhere

"The key to inter-dimensional survival is to remain positive and in love with life even when the outer world may seem hopeless. Know the perfection of Nature" - Drunvalo Melchizedek

Merkaba meditation supposedly leads to "ascension" - a process in consciousness where the human body is transformed into light and translated by birth into a higher fourth dimension, thus transcending the limitations of this three-dimensional world.
The ancient Egyptians referred to Mer-ka-ba as three separate words - Mer meant a specific kind of light rotating within itself, Ka referred to the human spirit, and Ba referred to the spirit's interpretation of its specific reality.
According to its practitioners, Merkaba is a 17-meters-in-diameter energy field around the human physical body, consisting of two counter-rotating tetrahedrons, spinning with the speed of light.
This spinning of geometric forms affect a person's mind, body and spirit.
Through meditation, this field can be amplified and used as a vehicle to access other planes of reality.
This video details the 18 breaths and the various steps to follow while inhaling and exhaling.
- See more at: http://www.do-meditation.com/merkaba-meditation.html#sthash.WZ4Imy7F.dpuf

Merkaba meditation - feel love for all life everywhere

"The key to inter-dimensional survival is to remain positive and in love with life even when the outer world may seem hopeless. Know the perfection of Nature" - Drunvalo Melchizedek

Merkaba meditation supposedly leads to "ascension" - a process in consciousness where the human body is transformed into light and translated by birth into a higher fourth dimension, thus transcending the limitations of this three-dimensional world.
The ancient Egyptians referred to Mer-ka-ba as three separate words - Mer meant a specific kind of light rotating within itself, Ka referred to the human spirit, and Ba referred to the spirit's interpretation of its specific reality.
According to its practitioners, Merkaba is a 17-meters-in-diameter energy field around the human physical body, consisting of two counter-rotating tetrahedrons, spinning with the speed of light.
This spinning of geometric forms affect a person's mind, body and spirit.
Through meditation, this field can be amplified and used as a vehicle to access other planes of reality.
This video details the 18 breaths and the various steps to follow while inhaling and exhaling.
- See more at: http://www.do-meditation.com/merkaba-meditation.html#sthash.WZ4Imy7F.dpuf

Merkaba meditation - feel love for all life everywhere

"The key to inter-dimensional survival is to remain positive and in love with life even when the outer world may seem hopeless. Know the perfection of Nature" - Drunvalo Melchizedek

Merkaba meditation supposedly leads to "ascension" - a process in consciousness where the human body is transformed into light and translated by birth into a higher fourth dimension, thus transcending the limitations of this three-dimensional world.
The ancient Egyptians referred to Mer-ka-ba as three separate words - Mer meant a specific kind of light rotating within itself, Ka referred to the human spirit, and Ba referred to the spirit's interpretation of its specific reality.
According to its practitioners, Merkaba is a 17-meters-in-diameter energy field around the human physical body, consisting of two counter-rotating tetrahedrons, spinning with the speed of light.
This spinning of geometric forms affect a person's mind, body and spirit.
Through meditation, this field can be amplified and used as a vehicle to access other planes of reality.
This video details the 18 breaths and the various steps to follow while inhaling and exhaling.
- See more at: http://www.do-meditation.com/merkaba-meditation.html#sthash.WZ4Imy7F.dpuf

Sumerian Anunnaki

Ancient Sumerian texts define the Anunnaki as "those who from heaven to Earth came" described as royal blood descending from the heavens and in certain contexts, the fallen angels or Nephilim. By comparative religions, it's believed the book of Genesis (600 BCE) was extrapolated from the Sumerian Epic of Creation believed to occur between 6000-8500 BCE. Records are also filled with great details of Anunnaki depicted as watchers, evident in later Biblical texts by Daniel and Jubilees. The ancient Sumerians sometimes described these deities as proprietors of mineral extractions from Earth, using the human race to replenish invaluable resources on the angel's home planet according to some researchers. Anunnaki were a heavenly council of seven, which may be interpreted as the first known written record referencing organized sons of god.

By historical accounts, the Anunnaki were the Gods & Goddesses who met occasionally in the heavens to indirectly determine the fate of mankind if by no fault of their own. Abraham's father Terah is considered as one who served the fallen angels, as the sons of the gods/goddesses, found in Psalms with reference to the Nephilim. Sharing part of the Babylonian creation myth as the children of Anu and Ki, the Anunnaki are associated with Earth's fate in Zecharia Sitchin's stories of Planet X (Nibiru, the 12th planet), and its return to over a long elliptical orbit. The Hopi tribe believe in a similar prophecy called the Blue Kachina, a time when the star people return to oversee a changing cycle of life on Earth.

When examining mysterious Anunnaki artifacts one might notice a unique resemblance to Ancient Egypt's interpretations of gods and goddesses. Angelic characteristics, the sun disc, and stories of the afterlife from the Book of the Dead hint strongly at an ancient Sumerian influence. Exactly how the Egyptians were in contact with the Sumerians, or which civilization was established first remains largely in debate. Archaeological evidence does propose both cultures may have coexisted during a period around 3,000 to 5,000 years ago by examining Mesopotamian temples and their distinct relation to Mastabas of the first and second Egyptian dynasties. There are several Egyptian artifacts which bare concepts of the Sumerian culture, yet there are also indications suggesting the possibility Egypt may have influenced Sumer during their state of unification. Historical time-lines show the Egyptians established foreign trade routes, secured precious stones, and designed sophisticated structures well before Sumerians. Yet, dating when the Sumerian epics took place establishes a time well before the settlement of Nineva 8,000 years ago by a culture who shares similar characteristics as both Egyptians and Sumerians, the Assyrians.

source: http://www.mysterypile.com/